France d'Europe Pétrole en gros Peignant, le Cadre d'Image, Mouler, le Miroir, les Barres de Civière

 
 

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Piero di Cosimo

1462-1521 Italian Piero di Cosimo Galleries

ID de tableau::  1538
Allegory
Allégorie
1500 22 1/8" x 17 3/8" National Gallery of Art, Washington DC
1500 22 1-8 x 17 3-8 La Galerie nationale d-Art, Washington DC
1462-1521 Italian Piero di Cosimo Galleries

   
 

 

 
   
      

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Albrecht Altdorfer

German 1480-1538 Albrecht Altdorfer Galleries

ID de tableau::  2288
Allegory
Allégorie
1531
1531
German 1480-1538 Albrecht Altdorfer Galleries

   
 

 

 
   
      

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Frans Francken II

Flemish Baroque Era Painter, 1581-1642

ID de tableau::  39917
Allegory
l~Allégorie
mk155 1628 Oil on copper 48x66cm
mk155 1628 Huilent sur le cuivre 48x66cm
Flemish Baroque Era Painter, 1581-1642

   
 

 

 
   
      

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BORDONE, Paris

Italian High Renaissance Painter, 1500-1571

ID de tableau::  63835
Allegory
1558-60 Oil on canvas, 110 x 131 cm The Hermitage, St. PetersburgArtist:BORDONE, Paris Title: Allegory Painted in 1501-1550 , Italian - - painting : mythological
Italian High Renaissance Painter, 1500-1571

   
 

 

 
   
      

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Lorenzo Lotto

Italian 1480-1556 Lorenzo Lotto Galleries

ID de tableau::  85579
Allegory
Date 1505(1505) Medium Oil on wood Dimensions Height: 56.5 cm (22.2 in). Width: 43.2 cm (17 in). cjr
Italian 1480-1556 Lorenzo Lotto Galleries

   
 

 

 
   
      

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Karel Dujardin

1621-1678 Dutch Karel Dujardin Locations

ID de tableau::  86598
Allegory
1663(1663) Medium Oil on canvas cyf
1621-1678 Dutch Karel Dujardin Locations

   
 

 

 
   
      

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Lorenzo Lotto

Italian 1480-1556 Lorenzo Lotto Galleries

ID de tableau::  89658
Allegory
1505(1505) Medium oil on wood cyf
Italian 1480-1556 Lorenzo Lotto Galleries

   
 

 

 
   
      

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AACHEN, Hans von

German Mannerist Painter, 1552-1615

ID de tableau::  92414
Allegory
1598 Oil on copper, 56 x 47 cm Alte Pinakothek, Munich TTD
German Mannerist Painter, 1552-1615

   
 

 

 
   
      

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Almeida Junior

(8 May 1850 ?C 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira, the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiet?? River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.

ID de tableau::  92469
Allegory
Date 1892 Medium oil on canvas Dimensions 250 X 125 cm (98.4 X 49.2 in)
(8 May 1850 ?C 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira, the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiet?? River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.

   
 

 

 
   
      

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Piero di Cosimo

1462-1521 Italian Piero di Cosimo Galleries

ID de tableau::  93614
Allegory
c. 1500 Medium oil on wood panel Dimensions 56.2 x 44.1 cm (22 1/8 x 17 3/8 in.) cjr
1462-1521 Italian Piero di Cosimo Galleries

   
 

 

 
   
      

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Filippino Lippi

Italian 1457-1504 Filippino Lippi Galleries

ID de tableau::  97968
Allegory
circa 1498(1498) Medium oil on panel cyf
Italian 1457-1504 Filippino Lippi Galleries

   
 

 

 
   
      

Filippino Lippi
Italian 1457-1504 Filippino Lippi Galleries
Allegory

        
 
   
 

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